Thursday is the New Friday…
The Proof…
Last week Mark was chatting with Max (Atta Kid) and Joe (Otis McDonald) outside The Chapel in San Francisco about how Thursday night is THE night to go out and see the best live music. The fellas then went out and got the crowd moving with a great Otis live show opening for Strike Iron (Joe, busting two guitar strings at the same time). Thus proving, Thursday is the New Friday.
Otis McDonald @ The Chapel
- Published in Entertainment Law, Music Law, Musicians
Sampling… A Composition Dilemma
Can you just imagine the cost to clear the rights for an album like the Beastie Boys’ Paul’s Boutique? The Dust Brothers dumped the kitchen sink into the Beastie’s landmark album in the days before Grand Upright Music, Ltd. v. Warner Bros. Records Inc.; the landmark lawsuit against Biz Markie by Gilbert O’Sullivan, which changed the process and future of hip-hop sampling.
Lawsuits and controversy aside, we’ll probably never see sampled albums as they were back in the mid-1980s, but that doesn’t mean that sampling is gone. It’s often harder to recognize sampling. Sometimes the sample just doesn’t fit the traditional hip-hop model, and sometimes the sample is so technologically manipulated that it’s unrecognizable.
- Published in Copyright Law, Entertainment Law, Featured, IP Law, Licensing, Music Law, Musicians
“Shopping” Your Demo, Script or Manuscript
Shopping your music, film and book projects through an attorney is a double-edged sword.
Here’s the reality behind “shopping”…
Record labels, Film & TV Studios and Book Publishers never accept UNSOLICITED demo, script or manuscript submissions. This includes submissions sent from the artist directly, or from an attorney or agent.
- Published in Actors, Entertainment Law, Film Law, Music Law, Musicians, Television Law